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Book
Il teatro nel fascismo: Pirandello e Bragaglia
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Year: 1974 Publisher: Roma Bulzoni

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Futurismus, 1909-1917 : wir setzen den Betrachter mitten ins Bild
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Year: 1974 Publisher: Düsseldorf Städtische Kunsthalle


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Futurisme.
Authors: ---
ISBN: 9068682598 Year: 2000 Publisher: Bussum TOTH

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In 1909 ontstond het futurisme. Het was een van de belangrijkste avant-gardebewegingen uit het begin van de twintigste eeuw. In dit boek wordt het werk van onder meer Giacomo Balla, Umberto Boccioni, Carlo Carrà, Gino Severini, Wundham Lewis en Kasimir Malevitsj besproken.

Neue Malerei in Deutschland
Authors: --- --- --- --- --- et al.
ISBN: 3791306413 Year: 1983 Publisher: München Philip Morris GmbH


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Scuola Romana : pittura e scultura a Roma dal 1919 al 1943
Authors: --- --- ---
Year: 1986 Publisher: Roma De Luca


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Lens-based sculpture : die Veränderung der Skulptur durch die Fotografie.
Authors: --- --- --- --- --- et al.
ISBN: 9783883312033 9783906790213 9783863354916 9783863354947 Year: 2014 Publisher: Köln Verlag der Buchhandlung Walther König

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Lens-Based Sculpture shows the relation between sculpture and photography for the first time from the perspective of the history of sculpture.&#13;&#13;The overview with 200 works, spanning the twentieth century and beyond, from more than 70 international artists shows how modern sculpture detached itself from the millennial principle of statuary sculpture and evolved into a new artistic praxis where the whole of reality with its diverse tactile, spatial, and media phenomena is sculptural material.&#13;&#13;The photo camera serves as sculpture’s primary tool, as a sketchbook and facilitator for spatial and structural representation in mass and form.&#13;&#13;Featuring the work of Umberto Boccioni, Marcel Duchamp, Tony Cragg, Valie Export, Rebecca Horn, Ron Mueck, Bruce Nauman, Giuseppe Penone, and Kiki Smith, among many others.

Keywords

Sculpture --- sculpture [visual works] --- photography [process] --- Brancusi, Constantin --- Horn, Rebecca --- Baumgarten, Lothar --- Broodthaers, Marcel --- Cragg, Tony --- Dibbets, Jan --- Barba, Rosa --- Lang, Nikolaus --- Oppenheim, Dennis --- Cocteau, Jean --- Blume, Bernhard --- Bellmer, Hans --- Blume, Anna --- Kummer, Raimund --- Ono, Yoko --- Simonds, Charles --- Duchamp, Marcel --- Ahearn, John --- Brandmeier, Monika --- Segal, George --- Morris, Robert --- Smithson, Robert --- Lincoln, Paul Etienne --- Beuys, Joseph --- Pippin, Steven --- Rahmann, Fritz --- Sauer, Michel --- Stadtbäumer, Pia --- Moholy-Nagy, László --- Penone, Giuseppe --- Demenÿ, Georges --- Seifried, Volker --- Serra, Richard --- Boccioni, Umberto --- Rodin, Auguste --- Hatoum, Mona --- Export, Valie --- Jonas, Joan --- Ruthenbeck, Reiner --- Kusama, Yayoi --- Hanson, Duane --- Klingelhöller, Harold --- Anselmo, Giovanni --- Duchamp-Villon, Raymond --- Chamberlain, John --- Gilbert and George --- Hirschhorn, Thomas --- Honert, Martin --- Nauman, Bruce --- Noland, Cady --- Signer, Roman --- Smith, Kiki --- Alÿs, Francis --- Mueck, Ron --- Appelt, Dieter --- Brus, Johannes --- Burden, Chris --- Ecker, Bogomir --- Kuppel, Edmund --- Mendieta, Ana --- Sander, Karin --- Whiteread, Rachel --- McLean, Bruce --- Marey, Étienne-Jules --- Huber, Stephan --- Bragaglia, Anton Giulio --- Deacon, Richard --- Matta-Clark, Gordon --- Kaprow, Allan --- Asher, Michael --- kunst --- beeldhouwkunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- fotografie --- kunst en fotografie --- beeldhouwkunst en fotografie --- Ahearn John H --- Alÿs Francis --- Anselmo Giovanni --- Appelt Dieter --- Asher Michael --- Barba Rosa --- Baumgarten Lothar --- Bellmer Hans --- Beuys Joseph --- Blume Anna --- Blume Bernhard --- Boccioni Umberto --- Bragaglia Anton Giulio --- Brancusi Constantin --- Brandmeier Monika --- Broodthaers Marcel --- Brus Johannes --- Burden Chris --- Chamberlain John --- Cocteau Jean --- Cragg Tony --- Deacon Richard --- Demenÿ Georges --- Dibbets Jan --- Duchamp Marcel --- Duchamp-Villon Raymond --- Ecker Bogomir --- Export Valie --- VALIE EXPORT --- Gilbert & George --- Givaudan Claudius --- Gross Sabine --- Hanson Duane --- Hatoum Mona --- Hirschhorn Thomas --- Honert Martin --- Horn Rebecca --- Huber Stephan --- Jonas Joan --- Kaprow Allan --- Klingelhöller Harald --- Kummer Raimund --- Kuppel Edmund --- Kusama Yayoi --- Lang Nikolaus --- Lincoln Paul Etienne --- Marey Etienne-Jules --- Matta-Clark Gordon --- McLean Bruce --- Mendieta Ana --- Moholy-Nagy Laszlo --- Morris Robert --- Mueck Ron --- Nauman Bruce --- Noland Cady --- Ono Yoko --- Oppenheim Dennis --- Penone Giuseppe --- Pippin Steven --- Pitz Hermann --- Rahmann Fritz --- Rodin Auguste --- Ruthenbeck Reiner --- Sander Karin --- Sauer Michel --- Segal George --- Seifried Volker --- Serra Richard --- Signer Roman --- Signoretto Pino --- Simonds Charles --- Smith Kiki --- Smithson Robert --- Stadtbäumer Pia --- Whiteread Rachel --- 73.03 --- 77.03 --- 77.036 --- 73.036 --- Exhibitions

The cinematic.
Author:
ISBN: 9780262532884 9780854881529 0854881522 0262532883 Year: 2007 Publisher: London Whitechapel

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Key writings by artists and theorists chart the shifting relationship between film and photography and how the rise of cinema forced photography to make a virtue of its stillness. The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism. Still photography—cinema's ghostly parent—was eclipsed by the medium of film, but also set free. The rise of cinema obliged photography to make a virtue of its own stillness. Film, on the other hand, envied the simplicity, the lightness, and the precision of photography. Russian Constructivist filmmakers considered avant-garde cinema as a sequence of graphic "shots"; their Bauhaus, Constructivist and Futurist photographer contemporaries assembled photographs into a form of cinema on the page. In response to the rise of popular cinema, Henri Cartier-Bresson exalted the "decisive moment" of the still photograph. In the 1950s, reportage photography began to explore the possibility of snatching filmic fragments. Since the 1960s, conceptual and postconceptual artists have explored the narrative enigmas of the found film still. The Cinematic assembles key writings by artists and theorists from the 1920s on—including László Moholy-Nagy, Pier Paolo Pasolini, Victor Burgin, Jeff Wall, and Catherine David—documenting the photography-film dialogue that has enriched both media.

Keywords

Whitechapel Art Gallery. --- Cinematography --- Photography, Artistic --- Whitechapel Art Gallery --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunst en fotografie --- kunst en film --- fotografie --- film --- video --- Akerman Chantal --- Antonioni Michelangelo --- Coleman James --- Crewdson Gregory --- Dean Tacita --- Doherty Willie --- Douglas Stan --- Gordon Douglas --- Marker Chris --- McQueen Steve --- Muybridge Eadweard --- Ristelhueber Sophie --- Trockel Rosemarie --- Sherman Cindy --- Snow Michael --- Viola Bill --- Wall Jeff --- Warhol Andy --- Wenders Wim --- Barthes Roland --- Figgis Mike --- Baudrillard Jean --- Bellour Raymond --- Bragaglia Anton Giulio --- Burgin Victor --- Cartier-Bresson Henri --- David Catherine --- Deleuze Gilles --- Durand Régis --- de Duve Thierry --- Eisenstein Sergei --- Gaensheimer Susan --- Goldin Nan --- Gunning Tom --- Metz Christian --- Mulvey Laura --- Moholy-Nagy Laszlo --- Newhall Beaumont --- Orlow Uriel --- Pasolini Pier Paolo --- Penley Constance --- Prince Richard --- Reich Steve --- Rim Carlo --- Sontag Susan --- Stimson Blake --- Tarantino Michael --- Varda Agnès --- Wollen Peter --- 7.01 --- 7.038 --- 77.01 --- 791.41 --- Cinematography. --- Photography, Artistic. --- Fotografie ; theorie, filosofie, esthetica --- 791.43.01 --- Kunsttheorie ; relatie film en fotografie ; bewegend versus stilstaand beeld --- Cinematografie --- Het filmische in de fotografie --- Het fotografische in de film --- Kunst ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- film [performing arts] --- hedendaagse kunst --- Film --- photography [process] --- Contemporary [style of art] --- Photography --- Goldin, Nan --- Eisenstein, Sergei M. --- Pasolini, Pier Paolo --- Muybridge, Eadweard --- Sontag, Susan --- Cartier-Bresson, Henri --- Wall, Jeff --- Kracauer, Siegfried --- Wenders, Wim --- Moholy-Nagy, László --- Akerman, Chantal --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Chronophotography --- Aesthetics --- Animated pictures --- Motion pictures --- Whitechapel Gallery --- Whitechapel Art Gallery, London --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Cinéma --- Photographie --- Fotografie --- film [uitvoerende kunsten] --- film [discipline]


Book
Inventing abstraction 1910-1925 : how a radical idea changed modern art.

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This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII ; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism ; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).

Keywords

kunst --- twintigste eeuw --- abstractie --- abstracte schilderkunst --- abstracte kunst --- Albers Josef --- Apollinaire Guillaume --- Arp Hans --- Atkinson Lawrence --- Balla Giacomo --- Bell Vanessa --- Berlewi Henryk --- Boccioni Umberto --- Bomberg David --- Bortnyk Alexander --- Bortnyk Sandor --- Bragaglia Anton Giulio --- Bruce Patrick Henry --- Cangiullo Francesco --- Carra Carlo --- Cendrars Blaise --- Coburn Alvin Langoon --- Debussy Claude --- Delaunay Robert --- Delaunay-Terk Sonia --- Depero Fortunato --- Dove Arthur --- Duchamp Marcel --- Duchamp Suzanne --- Eggeling Viking --- Ender Kseniia --- Gaudier-Brzeska Henri --- Giacometti Alberto --- Goncharova Natalia --- Graeff Werner --- Grant Duncan --- Hartley Marsden --- Hölzel Adolf --- Huszar Vilmos --- Itten Johannes --- Kandinsky Wassily --- Klee Paul --- Kliun Ivan --- Klutsis Gustav --- Kobro Katarzyna --- Kruchenykh Aleksei --- Kupka Frantisek --- von Laban Rudolf --- Larionov Mikhail --- Léger Fernand --- Lewis Wyndham --- Lissitzky El --- Macdonald-Wright Stanton --- Macke August --- Malevich kazimir --- Man Ray --- Ray Man --- Marc Franz --- Marinetti Filippo Tommaso --- Matiouchine Mikhaïl --- Matiushin Mikhail --- Moholy-Nagy Laszlo --- Mondrian Piet --- Mondriaan Pïet --- Nijinsky Vaslaw --- O'Keeffe Georgia --- Pettoruti Pietro --- Picabia Francis --- Picasso Pablo --- Popova Liubov --- Richter Hans --- Rodchenko Alexander --- Russell Morgan --- Russolo Luigi --- Saunders Helen --- Schad Christian --- Schamberg Morton Livingston --- Schoenberg Arnold --- Schwitters Kurt --- Severini Gino --- Stella Joseph --- Stieglitz Alfred --- Strand Paul --- Strzeminski Wladyslaw --- Survage Leopold --- Szpakowski Waclaw --- Taeuber-Arp Sophie --- Tatlin Vladimir --- Tzara Tristan --- Unovis --- van der Leck Bart --- van Doesburg Theo --- Vantongerloo Georges --- Varèse Edgard --- Weber Max --- Wigman Mary --- muziek --- kunst en muziek --- poëzie --- kunst en poëzie --- vorticisme --- geometrische abstractie --- constructivisme --- lyrische abstractie --- Bloomsbury group --- 0.10 --- De Stijl --- dans --- kunst en dans --- film --- kunst en film --- abstracte film --- kubisme --- Rhythmus 21 --- 7.036.1/037 --- Exhibitions


Book
Object: Photo : modern photographs : the Thomas Walther collection 1909 - 1949
Authors: --- --- --- --- --- et al.
ISBN: 9780870709418 0870709410 Year: 2014 Publisher: New York The Museum of Modern Art

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"Photographs acquired by The Museum of Modern Art from Thomas Walther in 2001"--P. 11.

Keywords

fotografie --- fotografiegeschiedenis --- modernisme --- twintigste eeuw --- interbellum --- Witkiewicz Stanislaw Ignacy --- Coburn Alvin Langdon --- Stieglitz Alfred --- Weston Edward --- Hagemeyer Johan --- Brigman Anne W. --- Demachy Robert --- Strand Paul --- Citroen Paul --- Ray Man --- Brancusi Constantin --- Abbott Berenice --- Bragaglia Anton Giulio --- Cahun Claude --- Moore Marcel --- Karmen Roman --- Kinszki Imre --- Lissitzky El --- Kertész André --- Pécsi Jozsef --- Funke Jaromir --- Rössler Jaroslav --- Nerlinger Oskar --- Fridlyand Semyon --- Vertov Dziga --- Rodchenko Aleksander --- Richter Hans --- Hackenschmied Alexander --- Man Felix H. --- Umbo --- Seidenstücker Friedrich --- Krull Germaine --- Moholy-Nagy Laszlo --- Beese Lotte --- Arndt Gertrud --- Feininger Lyonel --- Rose Hajo --- Hirz J. Jay --- Blossfeldt Karl --- Sander August --- Mantz Werner --- Petschow Robert --- Renger-Patzsch Albert --- Burchartz Max --- Biermann Aenne --- Kesting Edmund --- Tabard Maurice --- Hausmann Raoul --- Moholy Lucia --- Jacobi Lotte --- Lerski Helmar --- Gutmann John --- Yamawaki Iwao --- Henri Florence --- Vobecky Frantisek --- Boiffard Jacques-André --- Styrsky Jindrich --- Hahn Paul Edmund --- Steinitz Kate --- Munkacsi Martin --- Miller Lee --- Weegee --- Parker Paul --- Coppola Horacio --- Lotar Eli --- Roh Franz --- Korth Fred --- Shiihara Osamu --- Bayer Herbert --- Platt Lynes George --- Ubac Raoul --- Evans Walker --- Cartier-Bresson Henri --- Alvarez Bravo Manuel --- Walther Thomas --- 77.037 --- 779 --- 77 <73> --- 77 <73> Fotografie--Verenigde Staten van Amerika. VSA. USA --- Fotografie--Verenigde Staten van Amerika. VSA. USA --- 779 Fotografie--Fotoverzamelingen. Collecties --- Fotografie--Fotoverzamelingen. Collecties --- Photography --- palladium process --- photography [process] --- art history --- avant-garde --- platinum prints --- gelatin silver transparencies --- Modern [style or period] --- Lissitzky, Eliezer --- Ruge, Willi --- Blossfeldt, Karl --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Brigman Anne W --- Man Felix H --- Lissitzky, El

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